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Question 1 of 60
1. Question
1- Which of the following is not instructional material?
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Question 2 of 60
2. Question
2- Which of the following statement is not correct?
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Question 3 of 60
3. Question
3- The main objective of teaching at Higher Education Level is:
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Question 4 of 60
4. Question
4- Which of the following statement is correct?
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Question 5 of 60
5. Question
5- Which of the following indicates evaluation?
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Question 6 of 60
6. Question
6- Research can be conducted by a person who:
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Question 7 of 60
7. Question
7- Which of the following statements is correct?
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Question 8 of 60
8. Question
8- Which of the following is not the Method of Research?
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Question 9 of 60
9. Question
9- Research can be classified as:
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Question 10 of 60
10. Question
10- The first step of research is:
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Question 11 of 60
11. Question
11- Read the following passage and answer the question:
After almost three decades of contemplating Swarovski-encrusted navels on increasing flat abs, the Mumbai film industry is on a discovery of India and itself. With budgets of over 30 crore each, four soon to be released movies by premier directors are exploring the idea of who we are and redefining who the other is. It is a fundamental question which the bling-bling, glam-sham and disham-disham tends to avoid. It is also a question which binds an audience when the lights go dim and the projector rolls: as a nation, who are we? As a people, where are we going?
The Germans coined a word for it, zeitgeist, which perhaps Yash Chopra would not care to pronounce. But at 72, he remains the person who can best capture it. After being the first to project the diasporic Indian on screen in Lamhe in 1991, he has returned to his roots in a new movie. Veer Zaara, set in 1986, where Pakistan, the traditional other, the part that got away, is the lover and the saviour. In Subhas Ghai’s Kisna, set in 1947, the other is the English woman. She is not a memsahib, but a mehbooba. In Ketan Mehta’s The Rising, the East India Englishman is not the evil oppressor of countless cardboard characterisations, which span the spectrum from Jewel in the Crown to Kranti, but an honourable friend.
This is Manoj Kumar’s Desh Ki dharti with a difference: there is culture, not contentious politics; balle balle, not bombs: no dooriyan (distance), only nazdeekiyan (closeness).
All four films are heralding a new hero and heroine. The new hero is fallible and vulnerable, committed to his dharma, but also not afraid of failure – less of a boy and more of a man. He even has a grown up name: Veer Pratap Singh in Veer-Zaara and Mohan Bhargav in Swades. The new heroine is not a babe, but often a bebe, dressed in traditional Punjabi clothes, often with the stereotypical body type as well, as in Bride and Prejudice of Gurinder Chadha.
Which word Yash Chopra would not be able to pronounce?
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Question 12 of 60
12. Question
12- Read the following passage and answer the question:
After almost three decades of contemplating Swarovski-encrusted navels on increasing flat abs, the Mumbai film industry is on a discovery of India and itself. With budgets of over 30 crore each, four soon to be released movies by premier directors are exploring the idea of who we are and redefining who the other is. It is a fundamental question which the bling-bling, glam-sham and disham-disham tends to avoid. It is also a question which binds an audience when the lights go dim and the projector rolls: as a nation, who are we? As a people, where are we going?
The Germans coined a word for it, zeitgeist, which perhaps Yash Chopra would not care to pronounce. But at 72, he remains the person who can best capture it. After being the first to project the diasporic Indian on screen in Lamhe in 1991, he has returned to his roots in a new movie. Veer Zaara, set in 1986, where Pakistan, the traditional other, the part that got away, is the lover and the saviour. In Subhas Ghai’s Kisna, set in 1947, the other is the English woman. She is not a memsahib, but a mehbooba. In Ketan Mehta’s The Rising, the East India Englishman is not the evil oppressor of countless cardboard characterisations, which span the spectrum from Jewel in the Crown to Kranti, but an honourable friend.
This is Manoj Kumar’s Desh Ki dharti with a difference: there is culture, not contentious politics; balle balle, not bombs: no dooriyan (distance), only nazdeekiyan (closeness).
All four films are heralding a new hero and heroine. The new hero is fallible and vulnerable, committed to his dharma, but also not afraid of failure – less of a boy and more of a man. He even has a grown up name: Veer Pratap Singh in Veer-Zaara and Mohan Bhargav in Swades. The new heroine is not a babe, but often a bebe, dressed in traditional Punjabi clothes, often with the stereotypical body type as well, as in Bride and Prejudice of Gurinder Chadha.
Who made Lamhe in 1991?
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Question 13 of 60
13. Question
13- Read the following passage and answer the question:
After almost three decades of contemplating Swarovski-encrusted navels on increasing flat abs, the Mumbai film industry is on a discovery of India and itself. With budgets of over 30 crore each, four soon to be released movies by premier directors are exploring the idea of who we are and redefining who the other is. It is a fundamental question which the bling-bling, glam-sham and disham-disham tends to avoid. It is also a question which binds an audience when the lights go dim and the projector rolls: as a nation, who are we? As a people, where are we going?
The Germans coined a word for it, zeitgeist, which perhaps Yash Chopra would not care to pronounce. But at 72, he remains the person who can best capture it. After being the first to project the diasporic Indian on screen in Lamhe in 1991, he has returned to his roots in a new movie. Veer Zaara, set in 1986, where Pakistan, the traditional other, the part that got away, is the lover and the saviour. In Subhas Ghai’s Kisna, set in 1947, the other is the English woman. She is not a memsahib, but a mehbooba. In Ketan Mehta’s The Rising, the East India Englishman is not the evil oppressor of countless cardboard characterisations, which span the spectrum from Jewel in the Crown to Kranti, but an honourable friend.
This is Manoj Kumar’s Desh Ki dharti with a difference: there is culture, not contentious politics; balle balle, not bombs: no dooriyan (distance), only nazdeekiyan (closeness).
All four films are heralding a new hero and heroine. The new hero is fallible and vulnerable, committed to his dharma, but also not afraid of failure – less of a boy and more of a man. He even has a grown up name: Veer Pratap Singh in Veer-Zaara and Mohan Bhargav in Swades. The new heroine is not a babe, but often a bebe, dressed in traditional Punjabi clothes, often with the stereotypical body type as well, as in Bride and Prejudice of Gurinder Chadha.
Which movie is associated with Manoj Kumar?
CorrectIncorrect -
Question 14 of 60
14. Question
14- Read the following passage and answer the question nos. 11 to 15:
After almost three decades of contemplating Swarovski-encrusted navels on increasing flat abs, the Mumbai film industry is on a discovery of India and itself. With budgets of over 30 crore each, four soon to be released movies by premier directors are exploring the idea of who we are and redefining who the other is. It is a fundamental question which the bling-bling, glam-sham and disham-disham tends to avoid. It is also a question which binds an audience when the lights go dim and the projector rolls: as a nation, who are we? As a people, where are we going?
The Germans coined a word for it, zeitgeist, which perhaps Yash Chopra would not care to pronounce. But at 72, he remains the person who can best capture it. After being the first to project the diasporic Indian on screen in Lamhe in 1991, he has returned to his roots in a new movie. Veer Zaara, set in 1986, where Pakistan, the traditional other, the part that got away, is the lover and the saviour. In Subhas Ghai’s Kisna, set in 1947, the other is the English woman. She is not a memsahib, but a mehbooba. In Ketan Mehta’s The Rising, the East India Englishman is not the evil oppressor of countless cardboard characterisations, which span the spectrum from Jewel in the Crown to Kranti, but an honourable friend.
This is Manoj Kumar’s Desh Ki dharti with a difference: there is culture, not contentious politics; balle balle, not bombs: no dooriyan (distance), only nazdeekiyan (closeness).
All four films are heralding a new hero and heroine. The new hero is fallible and vulnerable, committed to his dharma, but also not afraid of failure – less of a boy and more of a man. He even has a grown up name: Veer Pratap Singh in Veer-Zaara and Mohan Bhargav in Swades. The new heroine is not a babe, but often a bebe, dressed in traditional Punjabi clothes, often with the stereotypical body type as well, as in Bride and Prejudice of Gurinder Chadha.
Which is the latest film by Yash Chopra according to the passage?
CorrectIncorrect -
Question 15 of 60
15. Question
15- Read the following passage and answer the question:
After almost three decades of contemplating Swarovski-encrusted navels on increasing flat abs, the Mumbai film industry is on a discovery of India and itself. With budgets of over 30 crore each, four soon to be released movies by premier directors are exploring the idea of who we are and redefining who the other is. It is a fundamental question which the bling-bling, glam-sham and disham-disham tends to avoid. It is also a question which binds an audience when the lights go dim and the projector rolls: as a nation, who are we? As a people, where are we going?
The Germans coined a word for it, zeitgeist, which perhaps Yash Chopra would not care to pronounce. But at 72, he remains the person who can best capture it. After being the first to project the diasporic Indian on screen in Lamhe in 1991, he has returned to his roots in a new movie. Veer Zaara, set in 1986, where Pakistan, the traditional other, the part that got away, is the lover and the saviour. In Subhas Ghai’s Kisna, set in 1947, the other is the English woman. She is not a memsahib, but a mehbooba. In Ketan Mehta’s The Rising, the East India Englishman is not the evil oppressor of countless cardboard characterisations, which span the spectrum from Jewel in the Crown to Kranti, but an honourable friend.
This is Manoj Kumar’s Desh Ki dharti with a difference: there is culture, not contentious politics; balle balle, not bombs: no dooriyan (distance), only nazdeekiyan (closeness).
All four films are heralding a new hero and heroine. The new hero is fallible and vulnerable, committed to his dharma, but also not afraid of failure – less of a boy and more of a man. He even has a grown up name: Veer Pratap Singh in Veer-Zaara and Mohan Bhargav in Swades. The new heroine is not a babe, but often a bebe, dressed in traditional Punjabi clothes, often with the stereotypical body type as well, as in Bride and Prejudice of Gurinder Chadha.
Which is the dress of the heroine in Veer-Zaara?
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Question 16 of 60
16. Question
16- Which one of the following can be termed as verbal communication?
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Question 17 of 60
17. Question
17- Which is the 24 hours English Business news channel in India?
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Question 18 of 60
18. Question
18- Consider the following statements in communication:
(i) Hema Malini is the Chairperson of the Children’s Film Society, India.
(ii) Yash Chopra is the Chairman of the Central Board of Film Certification of India.
(iii) Sharmila Tagore is the Chairperson of National Film Development Corporation.
(iv) Dilip Kumar, Raj Kapoor and Preeti Zinta have all been recipients of Dada Saheb Phalke Award.
Which of the statements given above is/are correct?
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Question 19 of 60
19. Question
19- When was the first e-mail sent?
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Question 20 of 60
20. Question
20- “Because you deserve to know” is the punchline used by:
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Question 21 of 60
21. Question
21- In the sequence of numbers 8, 24, 12, X, 18, 54 the missing number X is:
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Question 22 of 60
22. Question
22- If A stands for 5, B for 6, C for 7, D for 8 and so on, then the following numbers stand for 17, 19, 20, 9 and 8:
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Question 23 of 60
23. Question
23- The letters in the first set have certain relationship. On the basis of this relationship, what is the right choice for the second set?
AST : BRU : : NQV : ?
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Question 24 of 60
24. Question
24- In a certain code, PAN is written as 31 and PAR as 35. In this code PAT is written as:
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Question 25 of 60
25. Question
25- The sides of a triangle are in the ratio of 1/2 : 1/3 : 1/4. If its perimeter is 52 cm, the length of the smallest side is:
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Question 26 of 60
26. Question
26- Which one of the following statements is completely non-sensical?
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Question 27 of 60
27. Question
27- Which of the following statements are mutually contradictory?
(i) All flowers are not fragrant.
(ii) Most flowers are not fragrant.
(iii) None of the flowers is fragrant.
(iv) Most flowers are fragrant.
Choose the correct answer from the code given below:
CorrectIncorrect -
Question 28 of 60
28. Question
28- Which of the following statements say the same thing?
(i) “I am a teacher” (said by Arvind)
(ii) “I am a teacher” (said by Binod)
(iii) “My son is a teacher” (said by Binod’s father)
(iv) “My brother is a teacher” (said by Binod’s sister)
(v) “My brother is a teacher” (said by Binod’s only sister)
(vi) “My sole enemy is a teacher” (said by Binod’s only enemy)
Choose the correct answer from the code given below:
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Question 29 of 60
29. Question
29- Which of the following are correct ways of arguing?
(i) There can be no second husband without a second wife.
(ii) Anil is a friend of Bob, Bob is a friend of Raj, hence Anil is a friend of Raj.
(iii) A is equal to B, B is equal to C, hence A is equal to C.
(iv) If everyone is a liar, then we cannot prove it.
Choose the correct answer from the code given below:
CorrectIncorrect -
Question 30 of 60
30. Question
30- Which of the following statement/s are ALWAYS FALSE?
(i) The sun will not rise in the East some day.
(ii) A wooden table is not a table.
(iii) Delhi city will be drowned under water.
(iv) Cars run on water as fuel. Choose the correct answer from the code given below:
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Question 31 of 60
31. Question
31- Identify the next number in the series: 2,9,28,65,….
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Question 32 of 60
32. Question
32- All India Radio (A.I.R.) for broadcasting was named in the year:
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Question 33 of 60
33. Question
33- Which is the smallest North- east State in India?
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Question 34 of 60
34. Question
34- Identify the next number in the series: 6,5,24,25,144,….
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Question 35 of 60
35. Question
35- ‘Micro Processing’ is made for:
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Question 36 of 60
36. Question
36- LAN stands for:
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Question 37 of 60
37. Question
37- Which of the following statement is correct?
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Question 38 of 60
38. Question
38- Which of the following is the appropriate definition of a computer?
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Question 39 of 60
39. Question
39- Information and Communication Technology includes:
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Question 40 of 60
40. Question
40- Which of the following is the appropriate format of URL of e-mail?
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Question 41 of 60
41. Question
41- The most significant impact of volcanic eruption has been felt in the form of:
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Question 42 of 60
42. Question
42- With absorption and decomposition of CO2 in ocean water beyond desired level, there will be:
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Question 43 of 60
43. Question
43-
Arrange column II in proper sequence so as to match it with column I and choose the correct answer from the code given below:
Column I Column II
Water Quality pH Value
(a) Neutral (i) 5
(b) Moderately acidic (ii) 7
(c) Alkaline (iii) 4
(d) Injurious (iv) 8
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Question 44 of 60
44. Question
44- The maximum emission of pollutants from fuel sources in India is caused by:
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Question 45 of 60
45. Question
45- The urbanisation process accounts for the wind in the urban centres during nights to remain:
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Question 46 of 60
46. Question
46- The University Grants Commission was constituted on the recommendation of:
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Question 47 of 60
47. Question
47- Which one of the following Articles of the Constitution of India safeguards the rights of Minorities to establish and run educational institutions of their own liking?
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Question 48 of 60
48. Question
48-
Match List – I (Institutions) with List – II (Functions) and select the correct answer by using the code given below:
List – I (Institutions) List – II (Functions)
(a) Parliament (i) Formulation of Budget
(b) C & A.G. (ii) Enactment of Budget
(c) Ministry of Finance (iii) Implementation of Budget
(d) Executing Departments (iv) Legality of expenditure
(v) Justification of Income
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Question 49 of 60
49. Question
49- Foundation training to the newly recruited IAS (Probationers) is imparted by:
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Question 50 of 60
50. Question
50- Electoral disputes arising out of Presidential and Vice-Presidential Elections are settled by:
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Question 51 of 60
51. Question
51
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Question 52 of 60
52. Question
52
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Question 53 of 60
53. Question
53
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Question 54 of 60
54. Question
54
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Question 55 of 60
55. Question
55
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Question 56 of 60
56. Question
56
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Question 57 of 60
57. Question
57
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Question 58 of 60
58. Question
58
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Question 59 of 60
59. Question
59
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Question 60 of 60
60. Question
60
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